Photography
SKIN AND UNDER II — The Gaze The first volume was an attempt — incomplete, as first attempts are. It began with a simple observation: young men from Latin America, photographed across different years and cities, tended to arrive at the camera in similar configurations. A particular set of the jaw. A way of holding
I work with the body.Not to provoke, not to decorate, but to stay close to something honest. Today I had a conversation that quietly reminded me why this matters to me.A model told me he admired my work, but that full nudity wasn’t something he felt comfortable with. I respected that immediately. A body is
Bored of Very Serious Photography? Nothing on your skin. When I look at much of the “in-vogue” contemporary photography, I don’t feel rejection. I feel boredom. A deep boredom—not born of any intolerance for the new, but from the oppressive sense of recognizing the same script over and over, performed in the same flat voice,
Skin and Grace – Episode IGazing Soft: The Macho and the Muse Project Introduction I arrived in Cuba to meet five professional dancers, drawn to a grace I had known only through screens and fleeting digital fragments. I wanted to photograph their bodies, of course, but above all to capture what remains when movement stops:
September/October 2025 Once again, I found myself journeying through Italy, heeding the call of my friend Anto. His recommendations were, as always, a series of irresistible commands: “You have to go there to photograph!” And, as always, I followed. Our first destination was Sicily. We landed in Catania in the violent embrace of a thunderstorm,
July 2025 Skin and Under kept me busy for almost two years. A complex project, not only for the practical challenges, but above all for the doubts I carried within myself. Legitimacy? Not the right word, perhaps. Right is closer to what I was taking on—portraying my subjects in moments of intimacy, when their defenses
