クロニクル

Presence, No Compromise

I work with the body.Not to provoke, not to decorate, but to stay close to something honest. Today I had a conversation that quietly reminded me why this matters to me.A model told me he admired my work, but that full nudity wasn’t something he felt comfortable with. I respected that immediately. A body is

安全を美学に|現代写真――形式と恐れ

Bored of Very Serious Photography? Nothing on your skin. When I look at much of the “in-vogue” contemporary photography, I don’t feel rejection. I feel boredom. A deep boredom—not born of any intolerance for the new, but from the oppressive sense of recognizing the same script over and over, performed in the same flat voice,

CUBA — Skin and Grace – Project Introduction

Skin and Grace – Episode IGazing Soft: The Macho and the Muse Project Introduction I arrived in Cuba to meet five professional dancers, drawn to a grace I had known only through screens and fleeting digital fragments. I wanted to photograph their bodies, of course, but above all to capture what remains when movement stops:

映画? どう始まったのか.

A Film? How the Idea Began The idea didn’t come from a storyboard or a pitch — it grew in the quiet spaces between photographs. The moments no one plans for. During shoots, I began noticing the in-between: the meals crowded around a table, the way a voice softened on the porch at dusk, the

美しいって、どんな感覚?

What Does It Feel To Be Beautiful Someone once asked me, half-joking, “Do beautiful people get turned on by their own reflection?” The question made me laugh—but it also made me think. As a photographer who’s spent years working with strikingly attractive men, I’ve seen firsthand how beauty operates in the wild. Yes, there’s confidence. Yes, there’s

AI Vs Real Connection

AI vs. Mosquito Massacre Recently, I exchanged a few comments about AI-generated images—after I tried (and failed) to recreate one myself. The attempt ended in disaster thanks to a gold-glitter malfunction. Think “wardrobe malfunction,” but artier—and messier. I was aiming for elegance, but instead ended up with something between a sparkly accident and a cautionary

嘘をついて:うまくいかなかった一枚

Tell Me Lies I don’t call myself a photographer.I use a camera, but not to document reality. I’m after images that leave room for doubt.Not the obvious kind, but the kind that hides in plain sight:A shadow that could be sorrow or surrender,A gaze that suggests devotion—or deception. I want a picture to make you

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